Eve Robertson
Throughout my teaching career, I tended to several young students whose lives were affected by cancer. They were such fighters and especially strong in their beliefs that the disease was only a temporary situation.
Together, we would create paintings that provided comfort to them and their families. I found that using many colors and letting them create whatever images they preferred helped them feel successful and positive about their days. Through the art therapy, they found an escape from the reality that cancer causes.
Through their efforts, I gained an understanding of how much they believed in living.
The painting lessons gave them a temporary respite from the medications, treatments and pain they were otherwise experiencing.
My experience with cancer also extends to my family. I was a caregiver for my mother-in-law. I would have loved to have done art therapy with her to relieve her stress and fear.
Her
appreciation of art might have helped her spirit and helped remove some of her fear.
Over the years, I’ve had students, friends and family members experience cancer. They’ve all shown such strength in their battles. Art therapy is such a focused, but relaxing way to put one’s thoughts on something positive. My hope is that everyone who sees my paintings finds peace, enjoyment, and positive moments and remembers the beautiful aspects of life.
Lisa Freeman-Wood
My friend, Bobbi, is the push behind the desire to share my paintings with the patients and visitors of the Enloe Health Regional Cancer Center. Bobbi and I were friends for 45 years. More than a year ago, she was diagnosed with Stage 4 ovarian cancer. She went through chemotherapy and had extensive surgery. She passed away March 7, 2023. I went to her “Going Away Party” in early May. This is not the first time I have lost someone I love to cancer.
My first encounter with cancer was with my mother. She developed breast cancer when she was 50. This was in the early 80s when there was not a lot of research on breast cancer and few treatments available. She postponed getting it treated and by the time conventional methods were tried, it was too entrenched in her body. She died at 53.
My second encounter was with a friend. Kathy was part of a small group of women who met once a month for dinner for many years. She did not go to the doctor until she had very serious symptoms. She was sent right to the hospital and died two weeks later as the cervical cancer she was diagnosed with was Stage 4 and had spread to major organs.
A few years after that, my good friend and coworker, Irene, found breast cancer at its very early stage. She was treated and although it was not easy to go through, she survived. Fifteen years later, she found cancer again in the early stages, but it was a different form of breast cancer. She decided to have a mastectomy and reconstruction surgery at the same time. Today, she is cancer free, retired, and very active. She is my role model for how to survive cancer.
I have painted for many years as a way of coping with grief. I started painting with watercolors just after my mother passed away. I continued through my father’s illness and ultimately his death at 64. I used painting to help heal the hole in my heart and my life when my younger sister, Tina, took her life in 2016. And I turned to it with a commitment, and an almost ferocity after the Camp Fire changed my life. The Camp Fire started on Tina’s birthday, Nov. 8, 2018. We evacuated for five weeks and came back to a house still standing but many neighbors’ houses gone and the whole area destroyed. The ugliness was devastating, and I painted beauty to counter it. I continued to paint through the fear and isolation of the COVID-19 pandemic as I worried about my far-flung family and friends.
I have no real formal training in painting. I paint what I like which are flowers, primarily roses. Flowers are ephemeral, beautiful, and yet functional, and an essential part of the cycle of life in nature. I take countless photos of nature and flowers everywhere I go and that is the basis of what I paint. I paint using transparent watercolors using a method called glazing. Glazing is laying down many layers of paint in different colors to get the richness that I want. I continue to paint, as a way to center myself. It calms me and allows my emotions and my thoughts to settle. Last year, I put my paintings together in a book to share with family and friends. To share my experiences with others and to let others know that art, any creative act really, can be healing and it can be done by anyone.
Finally, I have included Rose Series #7 which is a yellow rose with dark in the corners of the painting. I painted this at the height of the pandemic when I felt like darkness was encroaching, doom for the people on this planet and gloom for my outlook. But the rose remains bright, shining, and bringing light and hope into my life.
To purchase a painting, print or my book, please contact me at Lmfreemanwood@yahoo.com.
Bradley Foster
Ten years ago, I took this photo.
It was April 2013. The fourth and final surgery to rid my face of skin cancer.
Back then, I couldn’t have imagined that my photography would one day be with cancer patients, survivors, and their families, to inspire and uplift. I am humbled to present this body of work with the intention that it speaks to you, challenges you, and shows you that in our darkest of nights, our most powerful resource is revealed: our light.
My passion for photography arose from hiking on the weekends with my four children: Camille, Davis, Sophie, and Exie. I began seeing the world through their eyes and challenged myself to capture images that showcased the emotion of those moments. As an empty-nester, and one who tries to stay out of the sun, I began taking up an interest in night/astrophotography. Alone on the trail in the middle of the night, through all four seasons, I sit in the darkness and confront the fears that come from within. On the other side of those fears, courage and peace are revealed.
This peace fuels my adventures. Encounters with the Milky Way and Aurora Borealis, lightning and wildfires; rainstorms, rainbows, shade, moonlight, raging tides and the ever-changing seasons. As my body of work grows, it’s becoming apparent that these often-turbulent images reflect emotions; mine, and others. I understand that pain, uncertainty, and fear are some of the many weather patterns of our inner environment, though I hope that the way I capture them allows you to clearly see your own strengths more clearly and shine your light brighter.
Professionally, I’ve been a chiropractor for the past 22 years. Aligned Light Photography was born out of my passion for understanding and teaching alignment. In my personal life, I’ve noticed that after some of my hardest and darkest periods, the skin cancer would manifest. I have made peace with the scars on my face, and subsequent scar over my heart. We all have scars, some worn on the outside, and some on the inside. Mine are a daily reminder of how destruction can ultimately lead to renewal, and rebirth. Just as a rainbow requires a storm. Just as starlight demands the darkness.
Each of these images are single captures, no stacking or composites, representing that magical moment when time and light merge. It is my hope that these images help you feel the power that exists on the other side of suffering and renewal, where we are always whole.
— Bradley Foster
Bradley Foster, D.C.
Aligned Light Photography
To order prints, or to reach out: 530-809-6705 or drfoster@spinalaxis.com
Michael Halldorson
My focus in art is printmaking, more specifically the etching process. Political satire, social comment, science fiction, and abstract environments are expressed through whimsy and surrealism. Much of my work is complex and technically detailed, a reaction to the chaos and change in the world around us.
My primary influences are M.C. Escher, Salvador Dali, Rene Magritte and Giorgio de Chirico. I was very fortunate to spend time with Escher, in Holland in 1970, shortly before his death. A visit to his studio was most inspirational, particularly as he discussed and revealed his printmaking techniques. Escher’s unsurpassed craft and vision helped transform my work.
Born in Southern California but raised in Chico, I have been influenced by my education in the department of art at California State University, Chico. My three mentors, Dr. Janet E. Turner, Marion Austin Epting, and Brian Paulsen, have helped guide and shape my approach to printmaking. I served as a graduate teaching assistant to Dr. Janet Turner in the early ’70s. Professor Epting has been a friend and inspiration since he joined the department in 1969, always being very generous with his techniques and advice.
Brian’s influence can be seen in my fascination with juxtaposed images which, when put together, create a new reality. At present, I am a volunteer employee at CSU, Chico, and assist students in the print lab and work with Professor Eileen MacDonald, who has been an inspiration to me with her incredible knowledge of printmaking, her talent, and her unending enthusiasm for her students.
I’ve had many bouts with skin cancer and many surgeries to remove basal and Squamish cells in areas of my face, ears, and scalp. Realizing my own mortality, I started using less surreal imagery and more imagery of pleasant things like butterflies, flowers, and angels.
My wife and I lost our daughter to glioblastoma. Our beloved Stacie Denise Boone passed away only after nine months from the time she was diagnosed. We are still trying to survive that.
I, like everybody, look forward to a day when cancer is finally cured.
— Michael Halldorson